WITHOUT TITLE
WITHOUT TITLE
Daniele Oldani
Certificate of Authenticity: original by the artist
Signature: signed in original
Edition: unique
Year: 2025 collection
SUPPORT: canvas
TECHNIQUE: acrylic and oil pastels
DIMENSIONS: 120 cm x 100 cm
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Description by the gallery owner
Description by the gallery owner
“Without Tilte” draws parallels between the dramatic context of Squid Game and the real difficulties of everyday life, especially those related to debt and social injustice. The use of symbolism and visual references emphasizes the critique of the system, painting a picture of suffering and dehumanization, themes that are sadly relevant in our society. The choice to replace the symbols of Squid Game with those related to the tax system (such as the Internal Revenue Service) creates a stark contrast between illusory justice and real oppression. The guards, who in the original context of Squid Game represent absolute control and brutality, here become the face of a system that crushes those who are already vulnerable. The participants' green jumpsuits become the symbol of the system's victims, people who find themselves
in a hopeless struggle, sometimes bordering on desperation. The connection with suicides and suicide attempts is a powerful social denunciation that goes beyond mere
A visual representation, bringing to light a painful and too-often ignored reality. The transformation of life into a cruel "game" expresses the struggle many people face against a system that seems to treat them like worthless numbers. This vision highlights the injustice and inhumanity that can be intrinsic to social and economic institutions, prompting reflection on the true human cost of these structures. The dedication to those who "didn't make it" lends the work a commemorative and supportive tone, making visible the pain of those who lost the battle against debt, unemployment, and loneliness. It is a call to remember and acknowledge those invisible stories, which too often fail to surface in social discourse. The vibrant colors and contrasts accentuate the intensity of the message, while the characters' postures physically communicate frustration, struggle, and desperation. The work seems like a visual cry reflecting social unrest, effectively communicating its central theme: the difficulty of living in a system that leaves no room for hope. Congratulations to whoever created this work, which successfully conveys a message of social criticism and sparks reflection on important issues, using the powerful language of popular culture as a tool for criticism and awareness.

Daniele Oldani
Daniele Oldani's introverted nature conceals a sacrilegious world painted with acrylics and oil pastels. A creative mind, he has made art his raison d'être. He began reproducing Amedeo Modigliani's drawings at a young age. His early admiration for Modigliani is an eloquent sign of his artistic sensibility. Not only Modigliani, but also Dubuffet and "Art Brut," Jean-Michel Basquiat, Giorgio de Chirico, Mark Ryden, Fernando Botero, and Renaissance religious art have inspired Oldani. Nor should we forget his past as a writer and his studies at the Milan School of Comics. Throughout his life, he has worked both as an illustrator for Warner Bros. and as a tattoo artist. A tortuous path led Oldani to establish himself in painting, his true vocation. His background, therefore, has allowed him to develop remarkable technical skill in drawing. Over the course of his artistic research, Oldani has experimented with a wide range of painting techniques. He prefers acrylic paint because it dries quickly. Oil pastels, on the other hand, allow him to achieve a more lively and instinctive style. The Lombard artist is fully aware of the drama of our existence. His existential pain is channeled and released onto canvas with refined refinement. The paintings of the artist, born in 1979, express a profound capacity for communication. The Lombard artist addresses social issues with bitter irony. Oldani, like a rapper, creates poetic expressions, but in the form of images, although he often combines the images with phrases written backwards, imbuing his works with further meaning. His studio, located in a basement in the Milanese suburbs, is a hotbed of delicately restless artworks. Whether it's his "Art Brut" series, the "SuperModì" series, or his "Pietà" series, Oldani's touch is unmistakable.
Other works by the artist