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THE USUAL TRAM TRAM

THE USUAL TRAM TRAM

"DAMA" DANIELE OLDANI X MARCO TAMBURRO

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Certificate of Authenticity: certificate issued by the artist

Signature: in original on the front and back of the canvas

Edition: unique

Year: 2025

SUPPORT: canvas

TECHNIQUE: acrylic, oil and spray can

DIMENSIONS: 100 cm x 160 cm

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Description by the gallery owner

The Usual Tram Tram is a work that offers a profound reflection on the chaotic daily routine and immobility that characterize urban life, particularly that of Rome. At the center of the scene stands the Colosseum, an iconic symbol of the Eternal City, surrounded by a group of indistinct human figures. These figures, blending into the anonymous flow of the crowd, represent the chaos and routine that dominate metropolitan life, a frenetic pace that, paradoxically, has become part of normality.
A tram crosses the scene, symbolizing the constant and repetitive movement of the city, a mechanism that seems unstoppable despite the apparent disorder. Above this chaotic scene, a recurring figure in Tamburro's work emerges: Pinocchio. Despite being in the shadows, his identity is clear thanks to his long nose, a universal symbol of lies and deception. Pinocchio proclaims the phrase "Don't believe the truth," a statement that unsettles and invites the viewer to question what they consider real, true, and authentic, especially in a context marked by the influence of religious and political institutions.
At the bottom center of the canvas is the inscription "Il solito Tram Tram," which not only gives the work its title but also serves as a key to understanding the overall message. The phrase highlights how certain bad habits and dysfunctions, which characterize Rome's institutions and social fabric, are now so ingrained that they have become an integral part of daily life. The repetitiveness of the "tram tram" becomes a metaphor for the inertia and resignation that often accompany urban life and the relationship with power.

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"DAMA" DANIELE OLDANI X MARCO TAMBURRO

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Marco Tamburro and Daniele Oldani, united by a need to express themselves through art, despite their very different stylistic approaches, have successfully combined two opposing pictorial styles with harmony and fluidity. On the one hand, Tamburro's intense and rapid brushstrokes, which explore the anxieties and disenchantment of human beings living in the metropolis; on the other, Oldani's pop imagery, rich in social irony. The fusion of Rome and Milan has given rise to artworks that fully reflect the vision of the two artists. Themes related to society, religion, and war are addressed by the two with clarity and irony. Pictorial elements that characterize such different visions have managed to form a dynamic and coherent connection.

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