SUPER OIL

"Superpetrolio" is a provocative denunciation of speculation on basic goods, such as water, which is increasingly scarce due to irresponsible exploitation and the logic of power. The scene unfolds in a gigantic megalopolis, an oppressive urban landscape dominated by skyscrapers. At the center of the work stands a masked Mexican wrestler, an iconic figure in Oldani's style, embodying resistance and courage. His imposing presence recalls that of King Kong, a solitary and opposed creature forced to battle superior forces. The wrestler is preparing to make a symbolic and decisive gesture: turning off a gigantic water faucet, an element created by Marco Tamburro. A continuous flow gushes from the faucet, symbolizing the most precious and vital commodity, threatened by waste and manipulation. However, the wrestler is not left alone. A flock of warplanes violently attacks him, preventing him from reaching his goal. These planes represent the forces of economic and political elites, who prefer to keep the population in a state of scarcity and crisis to exert tighter control. Water, which should be a universal right, accessible to all, is instead transformed into a weapon of power, a tool to fuel inequality and speculation.