In this jesmonite creation, the artist references the sculptural subject of Cupid and Psyche. Accossato's work overturns the ideals of harmony and perfection conceived by the classical movement. But what are the ideals of beauty to which the creative mind refers? This process is about unleashing a part of ourselves, where the most vulnerable human state connects with reality. His artistic gesture consists of "abducting" historical works of the past and desecrating them, freeing them from the aesthetic codes that have made them untouchable.