Lino Lago reproduces on canvas a work created by Jean Nattier, a French painter active in the 18th century. The painting in question is called "Portrait of a Noble Lady" and was produced in 1740. The gaze of the noblewoman is hit by a single-color blue layer . The face painted with soft brushstrokes is suffocated by the pour. A sinuous fissure torn in the blue reveals the woman's face. A candid lady with rosy cheeks and brown eyes stands beneath the monochrome surface. Lino Lago creates a short circuit, shocks us and stimulates our mind. It unites what cannot be united, it defeats the antithesis between abstract and figurative. This strange couple came together thanks to the reflection of Lino Lago. The Spanish artist reopens the long debate on the complex relationship between abstract and figurative art. He is not looking for a winner, for him the two styles can coexist. The “Fake Abstract” series of works is proof.