New York Feeling is an oil on canvas measuring 110×150 centimeters dominated by cold, almost glacial tones. New York is represented in an abstract-figurative dichotomy determined by light. The artificially lit areas, buildings, shops and streets take on the tone and consistency of an abstract, lunar landscape. On the contrary, those in the shadow reveal themselves in all their figurative, almost brutalist materiality. This contrast represents the great opposites of life: evil and good, justice and injustice, wealth and poverty. Eternal contrasts that, in the end, coexist under the same sky. The human presence is represented by car headlights. Red dots, the only chromatically warm and alive bastion in an almost ghostly universe.