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In Art We Can

In Art We Can

Gian Paolo Tomasi

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Certificato di autenticità: originale dell'artista

Firma: firmato sul certificato

Edizione: 30

Anno: 2024

SUPPORT: cotton canvas

TECNICA: pure pigment printing

DIMENSIONS: 30 cm x 30 cm

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Description by the gallery owner

Each photograph in the "In Art We Can" series is not only aesthetically pleasing, but also tells a deep and human story. Giampaolo Tommasi, with his sensitive lens, manages to capture the essence of life in Kenya, offering viewers an intimate vision of the culture and people who inhabit this fascinating country. His works are a tribute to the beauty and dignity of the people he met and photographed.
The portrait of a black woman, covered by a veil, a photographic work by Giampaolo Tommasi, captures the essence and beauty of the subject with great skill and sensitivity. In the photo, the woman's face is framed in three-quarters, revealing only part of her face while the rest is hidden by the veil. The black skin of her shoulders, delicately peeking out from under the veil, is beautifully highlighted by the light, giving a sense of purity and grace.
This portrait by Giampaolo Tommasi is a tribute to the beauty and complexity of women, celebrating their inner strength and vulnerability with great respect and delicacy.

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Gian Paolo Tomasi

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Gian Paolo Tomasi was born in Milan in May 1959. In 1974 he entered the world of photography, where he experimented with the main photographic techniques. Starting as an apprentice and rapidly evolving into a professional in laboratory photography, in 1983 he created PoliArtcolor Srl, a company specialized in the retouching and duplication of photographic images. In 1988 he patented, together with his brother Roberto, a new photographic printing process called "Phototransfer". Thanks to it he collaborates with internationally renowned photographers; works and prints for masters of photography such as Irving Penn, Richard Avedon, Hiro, Annie Leibovitz, John Batho, Franco Fontana, Sebastian Salgado to name a few; produces for them, thanks also to a relationship of great confidence, prints and multiples for exhibitions, galleries and collecting. In 1995 a profound metamorphosis occurred in Tomasi, he courageously abandoned brushes and anilines, darkroom and chemical formulas and transferred his knowledge into the digital world, thus becoming a precursor of the virtual era. His passion for images leads him to define his own artistic language. In 2000 he created seven virtual models on behalf of GQ Italia. Stir, surprise and dismay shake the world of fashion and photography. Its virtual models travel the world, gracing the covers of major fashion magazines. In 2001 he was requested by the world of cosmetics and began a fruitful collaboration with multinationals in the sector. In the same period he began working on virtual landscapes. For 7 years, Gianpaolo Tomasi's Studio in Via Forcella, 13 in Milan has been a meeting point for the training of new talents in the field of digital photography.

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Other works by the artist