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In Art We Can (BF)

In Art We Can (BF)

Gian Paolo Tomasi

Regular price €1.800,00
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Certificato di autenticità: originale dell'artista

Firma: firmato sul certificato

Edizione: 30

Anno: 2024

SUPPORT: cotton canvas

TECNICA: pure pigment printing

DIMENSIONS: 30 cm x 30 cm

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Description by the gallery owner

Each photograph in the "In Art We Can" series is not only aesthetically pleasing, but also tells a deep and human story. Giampaolo Tommasi, with his sensitive lens, manages to capture the essence of life in Kenya, offering viewers an intimate vision of the culture and people who inhabit this fascinating country. His works are a tribute to the beauty and dignity of the people he met and photographed. The third photograph depicts a covered child, with a fly sitting on his head and marks on his nose, which could indicate a common pathology in Kenya. This portrait is particularly touching and emotionally charged, showing the daily reality and difficulties that children face in some areas of the country. The image is powerful in its simplicity, conveying a message of resilience and hope through the eyes of the child

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Gian Paolo Tomasi

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Gian Paolo Tomasi was born in Milan in May 1959. In 1974 he entered the world of photography, where he experimented with the main photographic techniques. Starting as an apprentice and rapidly evolving into a professional in laboratory photography, in 1983 he created PoliArtcolor Srl, a company specialized in the retouching and duplication of photographic images. In 1988 he patented, together with his brother Roberto, a new photographic printing process called "Phototransfer". Thanks to it he collaborates with internationally renowned photographers; works and prints for masters of photography such as Irving Penn, Richard Avedon, Hiro, Annie Leibovitz, John Batho, Franco Fontana, Sebastian Salgado to name a few; produces for them, thanks also to a relationship of great confidence, prints and multiples for exhibitions, galleries and collecting. In 1995 a profound metamorphosis occurred in Tomasi, he courageously abandoned brushes and anilines, darkroom and chemical formulas and transferred his knowledge into the digital world, thus becoming a precursor of the virtual era. His passion for images leads him to define his own artistic language. In 2000 he created seven virtual models on behalf of GQ Italia. Stir, surprise and dismay shake the world of fashion and photography. Its virtual models travel the world, gracing the covers of major fashion magazines. In 2001 he was requested by the world of cosmetics and began a fruitful collaboration with multinationals in the sector. In the same period he began working on virtual landscapes. For 7 years, Gianpaolo Tomasi's Studio in Via Forcella, 13 in Milan has been a meeting point for the training of new talents in the field of digital photography.

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Other works by the artist